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Free-Hand Drawing: A Manual for Teachers & Students by Anson K. Cross - Paperback
96.82 درهم

Free-Hand Drawing: A Manual for Teachers & Students by Anson K. Cross - Paperback

كن أول من يقيِّم هذا المنتج 

96.82 درهم 

  - ستوفر -96.82 درهم
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رقم ال ISBN
9781505943320
الفئات
ارشادات تعليم الفن
الكاتب
Anson K. Cross
الناشر
Createspace
الوصف:

DRAWING is the expression of an idea: "Art must come from within, and not from without. This fact has led some to assert that the study of nature is not essential to the student, and that careful training in the study of the representation of the actual appearance is mechanical and harmful. Such persons forget that all art ideas and sentiments must be based upon natural objects, and that a ...

تشحن من الولايات المتحدة
اشحن الى دبي (تغيير المدينة)
التوصيل خلال السبت ١٤ يوليو - الأحد ١٥ يوليو الي دبي

حالة السلعة:
جديدة
البائع:
InternationalBookStore (88% تقييم ايجابي)

معلومات المنتج

  •  

    المواصفات

    رقم ال ISBN
    9781505943320
    الفئات
    ارشادات تعليم الفن
    اللغات
    الانجليزية
    الرقم المميز للسلعة
    2724433784051
    المؤلفين
    الكاتب
    Anson K. Cross
    رقم ال ISBN
    9781505943320
    الفئات
    ارشادات تعليم الفن
    اللغات
    الانجليزية
    الرقم المميز للسلعة
    2724433784051
    المؤلفين
    الكاتب
    Anson K. Cross
    المؤلفين
    الناشر
    Createspace
    معلومات تقنية
    غلاف الكتاب
    غلاف عادي
    اللغات والبلدان
    لغة الكتاب
    الانجليزية
    إقرأ المزيد
  •  

    الوصف:

    DRAWING is the expression of an idea: "Art must come from within, and not from without. This fact has led some to assert that the study of nature is not essential to the student, and that careful training in the study of the representation of the actual appearance is mechanical and harmful. Such

    DRAWING is the expression of an idea: "Art must come from within, and not from without. This fact has led some to assert that the study of nature is not essential to the student, and that careful training in the study of the representation of the actual appearance is mechanical and harmful. Such persons forget that all art ideas and sentiments must be based upon natural objects, and that a person who cannot represent truly what he sees will be entirely unable to express the simplest ideal conceptions so that others may appreciate them. Study of nature is, then, of the first and greatest importance to the art student. A drawing may be made in outline, in light and shade, or in color. The value of the drawing artistically does not depend upon the medium used, but upon the individuality of the draughtsman making it. The simplest pencil sketch may have much more merit than an elaborate colored drawing made by one who is unable to represent truly the facts of nature, or who sees, instead of the beauty and poetry, the ugliness and the imperfections of the subject. OBJECTS FOR STUDY: We hear a great deal now about the cultivation of the sense of beauty by the choice of drawing models. Many go so far as to say that nothing but the most beautiful forms should be given from the start, and, asserting that the cube, cylinder, and other type forms are not beautiful, they say that they should not be used, but that beautiful variations of these type forms should be provided. More definite information than this is rarely given. We are not told what natural objects are beautiful, and cheap enough to be provided, or how these objects of beauty are to be obtained, if they are not provided by the city. Such advice as to the use of beautiful models must be very pleasant and valuable to the drawing teacher, who so often fails to secure the money necessary to provide the cheap wooden models costing a few cents each; and we do not wonder that special and regular teachers often regard this subject as one having no standards and no authorities. Much of all this commotion about beautiful objects of study is raised by those who, suffering from criticism, have in the desire to escape it plunged headlong from one set of mechanical rules for a series of lessons for the public schools, to another set less arbitrary in certain directions, but still mechanical, and if possible, more harmful than before, because attempting more. The average teacher can readily learn to discover at a glance whether or not the drawing of a cube represents the object as it might appear. She can do this even without seeing the model from the pupil's position; and the student can compare his drawing with the object and discover its errors more easily than he can in the drawing of a cast, a leaf, a figure, or any other object of beauty, in which the beauty depends upon lines which are subtile and which require a trained eye to see at all truly.

    خصائص المنتج:
    • الفئات: ارشادات تعليم الفن
    • غلاف الكتاب: غلاف عادي
    • لغة الكتاب: الانجليزية
    • الكاتب: Anson K. Cross
    • الناشر: Createspace
    • رقم ال ISBN: 9781505943320
    • عدد الصفحات: 160
    • لأبعاد (الارتفاع*العرض*العمق): 11 x 8.5 x 0.34 inches
 

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